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New Things is so undramatic -- the story of a wife at home, and a husband who is a Christian missionary taking the word to people who are hard to understand.
Communication and distance runs through this book: Between the couple; between the missionary and his community; between what's really happening and the reader. It's a delicate book. Half-told shadows of truths, understated language that circumnavigates huge black holes of feelings where light doesn't go.
I found out after reading it that Michel Faber intends this to be his final novel -- he wrote it while his wife was dying. Wild Life is by Molly Gloss who wrote The Dazzle of the Daya novel about a village of Quakers who travel to another star system on a generation ship. They treat repairing the solar sails like farming the fields. And it talks about something that can't be talked about from the inside: A woman gets lost in the woods, I don't want to say much more than that.
There's a memorable period of silence in the woods. For me it highlights what happens in silence Words, somehow, add our expected reality onto our perceptions. Silence, by removing words, simultaneously creates dissociation - a dreamlike state - but also brings you closer to reality itself, requires you to become embedded.
It's John McPhee's portrait of David Brower, founder of Friends of the Earth, told in three parts, each part a fight with another individual, an opponent, over an environmental issue: Mining, property development, the damming of rivers.
The third part grabbed me especially -- David Brower rafts down the Colorado River with Floyd Dominy, through sites where Dominy has won and Brower has lost. McPhee is there too, a participant observer. This link collider twitter bot maker journalism, it's telling a story through describing what happens between the three of them.
It strikes me that what these books by Faber, Link collider twitter bot maker and McPhee have in common is they all describe character enormously well. Brower is speaking on behalf of wilderness. Rocks, trees, these things are silent, at least in our human conversations. So we need people to speak for them. It's a fuzzy domain. On the one hand, that which doesn't speak sometimes needs a voice, so perhaps we need speakers who will hold its viewpoint inside.
Essential link collider twitter bot maker the rest of us aren't going to destroy it by trampling. But the risk is that when you speak for a thing that holds its own counsel, you undermine its subjectivity and its sovereignty -- its right to be understood on its own terms.
McPhee describes the land in words that speak to me: The Utah canyonland had been severed halfway up by a blue geometric plane, creating link collider twitter bot maker waterscape of interrupted shapes. He is also the author of Annals of the Former World.
I have been having my mind slowly transformed by Group Psychotherapy by Foulkes and Anthony. I've had a long-standing interest in small group dynamics that I'm really beginning to indulge this year, and along link collider twitter bot maker Wilfred Bion's Experiences in Groupsthis is the best eye-opener I've found.
Groups social interactions, company are the water in which we swim. Having common group phenomena pointed out, or to be shown details of a group's evolution and its impact on individual behaviour, link collider twitter bot maker me feel like I'm finally seeing something that was in-front of me all along.
This is also the book that introduced me to the role of the "participant observer" When you can see something, well, that link collider twitter bot maker you ask questions like, why couldn't this be otherwise? And, what about the groups I haven't looked at yet, the ones with trees and rocks and other non-humans?
Group Psychotherapy includes an analysis of the three person closed group in No Exit, the play by Jean Paul Sartre in which he says Hell is other people. I hadn't clicked what a tight description of the group this is.
Now seeing how real it is, there's more there for me to read. I guess that's what brings together all of my favourites this year. There's a reality to the characters, and their interactions, and their behaviours and evolution, and their situations; and so they tell me more - by speaking and by not speaking - and they live longer in my imagination. And here's a pretty visualisation of all bright star systems closer than light years.
I like the way it looks, so I'm thinking about how to use these kind of animations for the bot. A quick plug for the Mac app Ulysses which has totally upended my writing workflow in link collider twitter bot maker last few months. Brilliant -- the first tool I've found that fits the way I work.
This blog uses Markdown for formatting posts, and I wrote my own blog engine. The engine has changed multiple times, but the data - my posts - remain the same. Every so often, I try a more grownup app for writing. Textmate is ok but it's made for coding. And more importantly, I can't get to link collider twitter bot maker docs I'm working on from my iPad or my phone. But the Mac apps I've found I don't focus when I write, I'm all over the place.
I like to have multiple documents on the go, and often multiple projects. Ulysses is plain-text first, with Markdown for formatting. There's a learning curve, and then it's simple: All my text sits in a single library that I've organised into projects.
Within each project, there are notes both short and long. There's a prominent search field, and when I look at the Ulysses library on disk, I can find the text files. I've added my blog as an "external folder" -- to publish, I drag a file from my main library onto it, and sync.
But importantly, it just feels right. I open it and continue writing. I don't have to think about what to call this file and where to save it, but equally I don't need to be concerned about mixing up my work projects and my personal projects.
What's convinced me to make this a permanent part of my workflow is that I'm on the Ulysses for iOS beta and it's great. The library syncs automatically. Being able to access my longer docs while I'm on the bus which, it turns out, is where I do most of my thinking and add notes directly to those projects Drafting blog posts while I'm on the tube, in a familiar text editor?
All of that said: I don't think I would have looked outside my current workflow except that I sat down with Dinah Sanders and she generously showed me how she uses Scrivenerwhich is the go-to app for authors of proper books. While I'm not using Scrivener Ulysses is similar and I'm too committed to my text files Currently I'm constrained by my own working memory. Every time I try to write a single piece of more than a couple thousand words - fiction or non-fiction - I get in the swamp. This feels like it's helping.
I'm on the lookout for new gigs. I've mentored startups as Entrepreneur in Residence at Techstars and continue to spend quality time with many especially in the pre-series A and hardware spaces, including being an advisor at Tech Will Save Us and making a small investment in Unmade. I've developed Internet of Things policy with the government ; built a regular hardware-focused London meet-up ; taught design students and explored small group dynamics ; got a speaking agent!
I still work closely with Samsung on corporate innovation, and have a few more personal projects bubbling away I want to build on with new gigs, drop me a line if you'd like to chat. I'm open to longer engagements Email is matt interconnected. John Pavlus interviewed me about code My early spiritual experience with transistors. Ted Nelson's amazingly prescient observation that Whatever it may do in the real world, to the computer program, it's just another device and the dehumanising effect technology can have.
The steamroller approach of the coding mindset on the world's problems I'm delighted with this. Link collider twitter bot maker some reason, conversations with John always lead to interesting places - places I don't think either of us well, me definitely would have reached without talking together - and it's neat to have some of those endpoints written down.
Hamlet is such a non-nonsensical story. All rational, makes sense, about feelings, betrayal, etc. I must have written a dozen essays on Oedipal link collider twitter bot maker. Yet the play opens with them meeting a ghost! What gets me is I've never questioned this, link collider twitter bot maker fits with the narrative so well.
So what link collider twitter bot maker we seeing -- is the ghost some manifestation of the group unconsciousness, the reaction of the court to the actions of the king and queen so totally repressed that the only way it can come out is as a thing with its own body and agency, independent from any individual?
And why have I overlooked this so far? Is it because when I read about the ghost in Hamlet I link collider twitter bot maker it because honestly that's just how things are: The world is inhabited by us and also by these forces that emerge from us all, but are claimed by no-one But the ghost isn't a chorus The guards meet the ghost!
Hamlet meets the ghost! Oh gosh now here's a thing: